{"id":2737,"date":"2024-06-16T11:18:14","date_gmt":"2024-06-16T09:18:14","guid":{"rendered":"https:\/\/www.markuspassion.org\/cast_2023\/"},"modified":"2026-09-19T11:26:54","modified_gmt":"2026-09-19T09:26:54","slug":"participants-2023","status":"publish","type":"page","link":"https:\/\/markuspassion.org\/fr\/participants-2023\/","title":{"rendered":"Participants 2023"},"content":{"rendered":"

PARTICIPANTS EN 2023
\n<\/span>CH\u0152UR ET ORCHESTRE <\/span>\u00ab GLI ASPETTI <\/span>\u00bb<\/h1>\n

\"\"<\/a>\u00a0 \u00a0 \"\"<\/a><\/p>\n

\u00ab Conscient d\u2019\u00eatre entour\u00e9 de professionnels d\u2019une comp\u00e9tence exceptionnelle, Matthes laisse son ensemble jouer, faire de la musique, chanter, se retrouver, se perdre, se reformer, atteindre son apog\u00e9e. Ici, rien n\u2019est r\u00e9prim\u00e9 ; au contraire, m\u00eame apr\u00e8s que la derni\u00e8re note d\u2019un morceau s\u2019est \u00e9teinte, un mouvement est men\u00e9 \u00e0 son terme en toute s\u00e9r\u00e9nit\u00e9. La transcendance remarquable et insaisissable de cette musique tient peut-\u00eatre aussi \u00e0 la mani\u00e8re de diriger : ensemble, nous traversons cette Passion, nous la d\u00e9couvrons et la laissons r\u00e9sonner. Interpr\u00e9ter une partition aussi complexe de mani\u00e8re aussi logique, douce (je dirais presque : pleine d\u2019amour) et puissante rel\u00e8ve du grand art, que l\u2019on ne peut pas arracher \u00e0 son ensemble, mais seulement le laisser grandir et s\u2019\u00e9panouir. \u00bb<\/p>\n

Pius Strassmann, Lucerne<\/strong><\/p>\n

.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<\/p>\n

ORCHESTRE<\/span><\/p>\n

1re <\/sup>Traverso – Johanna Bartz<\/a><\/strong>
\n2e <\/sup>Traverso – Luis Mart\u00ednez Pueyo<\/a><\/strong>
\n1re <\/sup>Fl\u00fbte \u00e0 bec – Mira Gloor<\/a><\/strong>
\n2e <\/sup>Fl\u00fbte \u00e0 bec – HyeonHo Jeon<\/a><\/strong>
\n1er <\/sup>Hautbois – Andreas Helm<\/a><\/strong>
\n2e <\/sup>Hautbois – Ana In\u00e9s Feola<\/a><\/strong>
\n3e <\/sup>Hautbois – Amy Power<\/a><\/strong>
\n4e <\/sup>Hautbois<\/strong> –<\/strong> Georg Fritz<\/strong><\/a>
\nBasson<\/b> –<\/strong> Susann Landert
\nContrebasson<\/strong> –<\/strong> Eckhard Lenzing<\/a><\/strong>
\nCor –<\/strong> Thomas M\u00fcller<\/p>\n

1er<\/sup> Violons –<\/strong> Germ\u00e1n Echeverri Chamorro<\/a><\/strong> (premier violon), Matthias M\u00fcller, L\u00e9na Ruisz, Rahel Wittling
\n2e<\/sup> Violons<\/strong> –<\/strong> Karoline Echeverri Klemm<\/strong><\/a> (deuxi\u00e8me violon), Shant Eskenian<\/strong><\/a>, Andr\u00e9s Murillo
\nAlto<\/strong> –<\/strong> Matthias J\u00e4ggi (premier soliste), Jes\u00fas Merino Ruiz, Joanna Michalak
\nViole d’amour – Germ\u00e1n Echeverri Chamorro<\/a><\/strong>, Karoline Echeverri Klemm<\/a><\/strong>
\nViole de gambe<\/strong> –<\/strong> Soma Salat-Zakari\u00e1s<\/strong><\/a>, Giulio Tanasini<\/a><\/strong><\/p>\n

Violoncelle<\/strong> –<\/strong> Alex Jellici<\/strong><\/a>, Giulio Sanna
\nViolone<\/strong> –<\/strong> Markus Bernhard, Shuko Sugama<\/a><\/strong>
\nClavecin<\/strong> –<\/strong> Sebastian Wienand<\/a><\/strong>
\nOrgue<\/strong> –<\/strong> Johannes Keller<\/a><\/strong>
\nLuth et guitare baroque<\/strong> –<\/strong> Julian Behr<\/a><\/strong><\/p>\n

SOLISTES<\/span><\/span><\/p>\n

\u00c9vang\u00e9listes<\/strong> –<\/strong> Daniel Johannsen<\/a><\/strong> et Georg Poplutz<\/a><\/strong>
\nJ\u00e9sus<\/strong> –<\/strong> Daniel P\u00e9rez<\/a><\/strong><\/p>\n

Soprano<\/strong> –<\/strong> Maya Boog<\/a><\/strong>
\nAlto<\/strong> –<\/strong> Annekathrin Laabs<\/a><\/strong>
\nT\u00e9nor<\/strong> –<\/strong> Daniel Johannsen<\/strong><\/a>, Georg Poplutz<\/a><\/strong>
\nBaryton<\/strong> –<\/strong> Matthias Helm<\/a><\/strong><\/p>\n

R\u00c9CITANTS<\/span><\/span><\/p>\n

Judas<\/strong> –<\/strong> Lu\u00eds Neiva
\nPierre<\/strong> –<\/strong> Matthias Helm<\/a><\/strong>
\nGrand pr\u00eatre – Breno Quinder\u00e9<\/a><\/strong>
\nServante<\/strong> –<\/strong> Maria Pujades Segu\u00ed
\nPonce Pilate<\/strong> –<\/strong> Damiano Capelli
\nSoldat<\/strong> –<\/strong> Michael Schwarze
\nCenturion<\/strong> –<\/strong> Tiago Oliveira<\/a><\/strong><\/p>\n

CH\u0152UR<\/span><\/span><\/p>\n

Soprano<\/strong> –<\/strong> Jeanne-Marie Leli\u00e8vre, Charlotte Nachtsheim, Maria Pujades Segu\u00ed, Mirjam Striegel, Anastasia Terranova<\/a><\/strong>
\nAlto<\/strong> –<\/strong> Ingeborg Aadland, Giovanna Baviera<\/a><\/strong>, Renate Berger<\/strong>,<\/a> Tobias Knaus<\/a><\/strong>
\nT\u00e9nor<\/strong> –<\/strong> Tiago Oliveira<\/a><\/strong>, Akinobu Ono<\/a><\/strong>, Csongor Sz\u00e1nt\u00f3, Christopher Wattam<\/a><\/strong>
\nBasse<\/strong> –<\/strong> Damiano Capelli, Lu\u00eds Neiva, Breno Quinder\u00e9<\/strong><\/a>, Michael Schwarze<\/p>\n

CHEF D’ORCHESTRE<\/span><\/span><\/p>\n

Nikolaus Matthes<\/strong><\/a><\/p>\n

\u00c9QUIPE DE PRODUCTION<\/span><\/span><\/p>\n

Gestion du projet et de la production<\/strong> –<\/strong> Nikolaus Matthes<\/strong><\/a>
\nSoutien \u00e0 la production<\/strong> –<\/strong> Marco Tr\u00fceb
\nGraphique et publicit\u00e9<\/strong> –<\/strong> T’SIGN Werbeagentur<\/a><\/strong>
\nAssistance musicale<\/strong> –<\/strong> Johannes Keller<\/a><\/strong>
\nRestauration<\/strong> –<\/strong> Gabri’s Pasta<\/strong><\/a>, Gabriele Auciello; Matthias \/ Hartmut Morgenroth, Florence Bamert, Alice Mundschin
\nR\u00e9gisseur, transports, logistique<\/strong> –<\/strong> Stefan Toth
\nPhotographie<\/strong> –<\/strong> Bettina Brotbek<\/a><\/strong>
\nLocation d’orgue<\/strong> –<\/strong> Massimo Cialfi<\/a><\/strong>
\nAccordeurs<\/strong> –<\/strong> Massimo Cialfi, Thierry Dobler, Johannes Keller, Sebastian Wienand
\nEnregistrement<\/strong> –<\/strong> GALLUS MEDIA AG<\/a><\/strong>
\nIng\u00e9nieur du son<\/strong> –<\/strong> Stefan Ritzenthaler<\/a><\/strong>
\nAssistent au l’ing\u00e9nieur du son<\/strong> –<\/strong> Jonathan Purchase<\/a><\/strong>
\nProducteur ex\u00e9cutif<\/strong> –<\/strong> Johannes J. Wallbrecher, resonando<\/a><\/strong>
\nBilletterie<\/strong> –<\/strong> Christina Meier, Beatrice Fiechter, Sue Brand, Marco Tr\u00fceb<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-2737","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/pages\/2737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/comments?post=2737"}],"version-history":[{"count":16,"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/pages\/2737\/revisions"}],"predecessor-version":[{"id":5915,"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/pages\/2737\/revisions\/5915"}],"wp:attachment":[{"href":"https:\/\/markuspassion.org\/fr\/wp-json\/wp\/v2\/media?parent=2737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}