{"id":1140,"date":"2024-06-16T11:18:14","date_gmt":"2024-06-16T09:18:14","guid":{"rendered":"https:\/\/markuspassion.manuelsutter.ch\/mitwirkende\/"},"modified":"2026-09-19T11:26:44","modified_gmt":"2026-09-19T09:26:44","slug":"cast-2023","status":"publish","type":"page","link":"https:\/\/markuspassion.org\/en\/cast-2023\/","title":{"rendered":"Cast 2023"},"content":{"rendered":"

CAST 2023
\n<\/span>CHOIR AND ORCHESTRA “GLI ASPETTI”<\/span><\/h1>\n

\"\"<\/a> \u00a0\u00a0 \"\"<\/a><\/p>\n

\u201cWell aware that extraordinarily competent professionals stood and sat before him, Matthes gave leave to his ensemble to play, make music, sing, interact, lose themselves in the music, group and regroup, perform to the utmost of their capability. Here nothing was suppressed: as the last chord of each number died away, the conductor\u2019s gesture was carried to its conclusion. The remarkable, intangibly transcendental quality of this music may have something to do with the way it was conducted: we proceed through this Passion together, discovering it and letting it sound. To realize such a complex score so logically, gently (I would almost like to say, ‘lovingly’), and energetically is a high art, something that cannot be forced out of the ensemble, but only allowed to grow and prosper.\u201d<\/span><\/p>\n

Pius Strassmann, Lucerne<\/strong><\/p>\n

.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.<\/p>\n

ORCHESTRA<\/span><\/p>\n

1st <\/sup>Traverso – Johanna Bartz<\/a><\/strong>
\n2nd <\/sup>Traverso – Luis Mart\u00ednez Pueyo<\/a><\/strong>
\n1st <\/sup>Recorder – Mira Gloor<\/a><\/strong>
\n2nd <\/sup>Recorder – HyeonHo Jeon<\/a><\/strong>
\n1st <\/sup>Oboe – Andreas Helm<\/a><\/strong>
\n2nd <\/sup>Oboe – Ana In\u00e9s Feola<\/a><\/strong>
\n3rd <\/sup>Oboe – Amy Power<\/a><\/strong>
\n4th <\/sup>Oboe<\/strong> –<\/strong> Georg Fritz<\/strong><\/a>
\nBassoon<\/b> –<\/strong> Susann Landert
\nContrabassoon<\/strong> –<\/strong> Eckhard Lenzing<\/a><\/strong>
\nHorn –<\/strong> Thomas M\u00fcller<\/p>\n

1st<\/sup> Violins –<\/strong> Germ\u00e1n Echeverri Chamorro<\/a><\/strong> (concertmaster), Matthias M\u00fcller, L\u00e9na Ruisz, Rahel Wittling
\n2nd<\/sup> Violins<\/strong> –<\/strong> Karoline Echeverri Klemm<\/strong><\/a> (principal), Shant Eskenian<\/strong><\/a>, Andr\u00e9s Murillo
\nViola<\/strong> –<\/strong> Matthias J\u00e4ggi (principal), Jes\u00fas Merino Ruiz, Joanna Michalak
\nViola d’amore – Germ\u00e1n Echeverri Chamorro<\/a><\/strong>, Karoline Echeverri Klemm<\/a><\/strong>
\nViola da gamba –<\/strong> Soma Salat-Zakari\u00e1s<\/strong><\/a>, Giulio Tanasini<\/a><\/strong><\/p>\n

Violoncello –<\/strong> Alex Jellici<\/strong><\/a>, Giulio Sanna
\nViolone<\/strong> –<\/strong> Markus Bernhard, Shuko Sugama<\/a><\/strong>
\nHarpsichord<\/strong> –<\/strong> Sebastian Wienand<\/a><\/strong>
\nOrgan<\/strong> –<\/strong> Johannes Keller<\/a><\/strong>
\nLute and baroque guitar<\/strong> –<\/strong> Julian Behr<\/a><\/strong><\/p>\n

SOLOISTS<\/span><\/span><\/p>\n

Evangelists<\/strong> –<\/strong> Daniel Johannsen<\/a><\/strong> and Georg Poplutz<\/a><\/strong>
\nJesus<\/strong> –<\/strong> Daniel P\u00e9rez<\/a><\/strong><\/p>\n

Soprano<\/strong> –<\/strong> Maya Boog<\/a><\/strong>
\nAlto<\/strong> –<\/strong> Annekathrin Laabs<\/a><\/strong>
\nTenor<\/strong> –<\/strong> Daniel Johannsen<\/strong><\/a>, Georg Poplutz<\/a><\/strong>
\nBaritone<\/strong> –<\/strong> Matthias Helm<\/a><\/strong><\/p>\n

SOLILOQUENTS<\/span><\/span><\/p>\n

Judas<\/strong> –<\/strong> Lu\u00eds Neiva
\nPeter<\/strong> –<\/strong> Matthias Helm<\/a><\/strong>
\nHigh Priest – Breno Quinder\u00e9<\/a><\/strong>
\nMaid<\/strong> –<\/strong> Maria Pujades Segu\u00ed
\nPilate<\/strong> –<\/strong> Damiano Capelli
\nSoldier<\/strong> –<\/strong> Michael Schwarze
\nCenturion<\/strong> –<\/strong> Tiago Oliveira<\/a><\/strong><\/p>\n

CHOIR<\/span><\/span><\/p>\n

Soprano<\/strong> –<\/strong> Jeanne-Marie Leli\u00e8vre, Charlotte Nachtsheim, Maria Pujades Segu\u00ed, Mirjam Striegel, Anastasia Terranova<\/a><\/strong>
\nAlto<\/strong> –<\/strong> Ingeborg Aadland, Giovanna Baviera<\/a><\/strong>, Renate Berger<\/strong>,<\/a> Tobias Knaus<\/a><\/strong>
\nTenor<\/strong> –<\/strong> Tiago Oliveira<\/a><\/strong>, Akinobu Ono<\/a><\/strong>, Csongor Sz\u00e1nt\u00f3, Christopher Wattam<\/a><\/strong>
\nBass<\/strong> –<\/strong> Damiano Capelli, Lu\u00eds Neiva, Breno Quinder\u00e9<\/strong><\/a>, Michael Schwarze<\/p>\n

CONDUCTOR<\/span><\/span><\/p>\n

Nikolaus Matthes<\/strong><\/a><\/p>\n

PRODUCTION TEAM<\/span><\/span><\/p>\n

Project and production management –<\/strong> Nikolaus Matthes<\/strong><\/a>
\nProduction support<\/strong> –<\/strong> Marco Tr\u00fceb
\nGraphics and advertising<\/strong> –<\/strong> T’SIGN Werbeagentur<\/a><\/strong>
\nMusical assistance<\/strong> –<\/strong> Johannes Keller<\/a><\/strong>
\nCatering<\/strong> –<\/strong> Gabri’s Pasta<\/strong><\/a>, Gabriele Auciello; Matthias and Hartmut Morgenroth, Florence Bamert, Alice Mundschin
\nStage manager, transports, logistics<\/strong> –<\/strong> Stefan Toth
\nPhotography<\/strong> –<\/strong> Bettina Brotbek<\/a><\/strong>
\nOrgan rental<\/strong> –<\/strong> Massimo Cialfi<\/a><\/strong>
\nTuners –<\/strong> Massimo Cialfi, Thierry Dobler, Johannes Keller, Sebastian Wienand
\nSound recording<\/strong> –<\/strong> GALLUS MEDIA AG<\/a><\/strong>
\nRecording producer<\/strong> –<\/strong> Stefan Ritzenthaler<\/a><\/strong>
\nRecording assistant<\/strong> –<\/strong> Jonathan Purchase<\/a><\/strong>
\nExecutive producer<\/strong> –<\/strong> Johannes J. Wallbrecher, resonando<\/a><\/strong>
\nBox office<\/strong> –<\/strong> Christina Meier, Beatrice Fiechter, Sue Brand, Marco Tr\u00fceb<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-1140","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/pages\/1140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/comments?post=1140"}],"version-history":[{"count":35,"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/pages\/1140\/revisions"}],"predecessor-version":[{"id":5914,"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/pages\/1140\/revisions\/5914"}],"wp:attachment":[{"href":"https:\/\/markuspassion.org\/en\/wp-json\/wp\/v2\/media?parent=1140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}